Ramaiya Vastavaiya Review
|Movie Reviews > Ramaiya Vastavaiya
||Kumar S Taurani
||Girish Taurani, Shruti Haasan, Sonu Sood, Randhir Kapoor, Vinod Khanna, Poonam Dhillon, Govind Namdev, Aanchal Singh, Pankhuri Awasthi, Satish Shah, Zakir Hussain, Nassar, Jacqueline Fernandez
Kid meets young lady. Falls enamored. Yet family doesn embrace their relationship. Resolved, the sweethearts intention to charm the disappointed relatives through hard toil, resolution and honesty... Aah, haven we gone by comparable subjects various times in the past? At the same time storytellers the planet in excess of have a tendency to imitate stories --with adjustments and changes, obviously --deciphering the yarn in their individualistic way.
In the wake of entertaining onlookers with masala performers like WANTED and ROWDY RATHORE, Prabhu Dheva unleashes his new excursion RAMAIYA VASTAVAIYA. Obviously, the promos give a suspicion that Prabhu harps on the age-old equation in his third Hindi excursion, a class that is oft-rehashed post MAINE PYAR KIYA . Come to consider it, not just does RAMAIYA VASTAVAIYA carry remembrances of MAINE PYAR KIYA, additionally ANARI [1993; Venkatesh -Karisma Kapoor, with Suresh Oberoi playing the strict more senior brother], DILWALE DULHANIA LE JAYENGE [1995; SRK -Kajol, with Amrish Puri as the stern father] and PYAAR KIYA TO DARNA KYA [1998; Salman -Kajol, with Arbaaz establishing Kajols tyrant brother].
In all actuality, RAMAIYA VASTAVAIYA is the redo of Prabhu Dhevas directorial presentation NUVVOSTANANTE NENODDANTANA [telugu; 2005], which was consequently revamped in different dialects. The question is, the reason tag on the oft-rehashed preface for a present-day film? Be that as it may give me a chance to likewise include that sentiment is endless and provided that one takes a gander at the triumph degree of this sort, the outcomes have been fabulous, with very nearly each top name today having started his vocation with an adoration adventure.
RAMAIYA VASTAVAIYA might bear similitudes with above named films, however the acting piece unfurls far excessively diversely here. Granted, there are a sensation that this has happened before minutes, notwithstanding the germ of thought being comparable to, however Prabhu and screenplay author Shiraz Ahmed guarantee that they pack some novel and mass-accommodating punches, present new characters, other than bundling it fine for the stimulation looking for observer to lap it up.
Ram [girish Kumar], the Australia-returned adolescent, meets Sona [shruti Haasan] at his cousins wedding and becomes hopelessly enamored with her. He takes after her to her homestead, run by her sibling [sonu Sood], who is against this match, since Ram is excessively well-to-do for them. He hurls a test at Ram assuming that he needs to win Sonas submit marriage...
The accentuation is exclusively and completely on furnishing excitement in motion pictures, for example RAMAIYA VASTAVAIYA and Prabhu Dheva has comprehended the craftsmanship since the time he wore the executives cap. The pointing at-masses chief struck the pot of gold in his first two Hindi motion pictures and in RAMAIYA VASTAVAIYA too, he guarantees he ups the amusement remainder in each edge. Obviously, unlike WANTED and ROWDY RATHORE, where sentiment was the second-generally vital fixing, the affection story is the point of convergence of RAMAIYA VASTAVAIYA, however Prabhu is not at ocean handling the kind. Moreover, this may be atypical love story, with the observer knowing previously what the wrap up might be, however the adventure in the second hour explicitly is pleasurable, with Prabhu and author Shiraz Ahmed mixing scenes to indulge each strata of the motion picture going crowd.
RAMAIYA VASTAVAIYA is not without its impart of smudges. To begin with, the groupings between the darlings don work in sum. Note the arrangement at the shower tub; it just adds to the length of the film. Furthermore, the account has a tendency to stagnate in a couple of arrangements, while a couple of scenes have been extended for no specific explanation for why. Cinematography [splendid work by Kiran Deohans] and the activity [invigorating battles by Kaushal-Moses] are in pair with the substance of the film.
With Kumar Taurani [tips] in the makers seat, clearly, the soundtrack must be rich. Its a given, correct? Also Sachin-Jigar, the skilled jodi, doesn baffle either. jeene Laga Hoon is lilting and has recently achieved huge prevalence, while jadoo Ki Jhappi and
ang Jo Lagyo are superb creations also. Priya Panchals verses compliment the songs, while the choreography is eye-getting also.
Clearly, RAMAIYA VASTAVAIYA is the launch vehicle for Girish Kumar and the performer gets the chance to sing, move, battle, act out, showcase shifted feelings... in short, the film is intended to be a showreel that shows off his acting certifications. Obviously, Girish being a first-timer, there are some unpleasant edges, however the truth is, hes photogenic and runs through the nonsense with trust. If it his early on arrangement [surfing in the sea] or breaking into a move, if hes uncovering his etched body or wearing desi outfits, if hes asked to look pure or coquettish, Girish gets it right.
Shruti Haasan looks lovely and is similar to a breath of new breeze. She transmits honesty, yet could be shrewd the following moment and passes on a mess through her eyes. It might be incredible to see her in shifted parts in times to come. Sonu Sood is excellent. Actually, this is around his finest exhibitions. The film has a monstrous supporting thrown involving Vinod Khanna, Randhir Kapoor, Poonam Dhillon, Govind Namdev, Satish Shah, Zakir Hussain, Nasser, Sarfaraz Khan, Mushtaq Khan and Paresh Ganatra and each of them establish their individual parts with capability. Jacqueline Fernandez and Prabhu Dhevas tune is high on vigor.
All in all, RAMAIYA VASTAVAIYA is an oversimplified adoration story portrayed capabily. Also, the science between the lead on-screen characters, the holding second hour and obviously, the Hit musical score might as well give to its triumph. Suggested!